FIRST CRIT SCHEDULE

Part A, August 31:

E. Dannielle Slaughter

Jeffrey Scudder

Alexandra Plemmons

Cheryl Murphy

Kris Phillips

Paul Link

William Ball

Megan Scott

Julienne Duverny

Part B, September 3:

Max Moore

Treavor Rennick

Rachel Robbins

Justine Delman

Daniel Dias

Therese McPherson

Georgie Landy

Brittney Hollinger

Trisha Rampersad

TateShots for videos on artists, etc.

TateShots: Thomas Hirschhorn

For those of you interested in the "Provisional Painting" article, you will find more discussion here:

Man without qualities; Stop Painting Painting

ArtForum, Oct, 2005

Kim Russo's (Ringling's new Fine Arts Chair) 5 Point Recipe for Success:

1. You have to be passionate.
2. You have to work hard and welcome information.
3. You have to be persistent and tenacious.
4. You have to network and make connections.
5. You have to have luck. But luck is recognizing an opportunity and having the guts to go for it.

Article: Provisional Painting

We will be discussing the following articles starting on Thursday August 27. Bring the articles, highlighted, and with your speaking notes.

Against Interpretation by susan sontag

PROVISIONAL PAINTING by raphael rubinstein in Art in America 5/4/09

Paragraphs on Conceptual Art by sol lewitt

WELCOME JUNIOR ARTISTS TO PAINTING III, FALL 2009

Dear Junior Artists,

WELCOME TO THE RINGLING FINE ART JUNIOR PAINTING-INTERDISCIPLINARY CLASS BLOG FOR COURSES: FA 371 FALL & FA 372 SPRING, PAINTING III & IV

This blog is where you will go regularly to see article, youtube, assignments posts, etc. A place also to comment on readings, process, ideas, breakthroughs, etc.

I hope you all had a great summer. Mine was exceptional.
I look forward to what you guys will be teaching me this semester. So don't hold back.

For day one:
BE ON TIME, and every class thereafter.
Come prepared to introduce yourself by briefly talking about your work to date: a favorite piece, process, or interest, etc. You may bring documentation or an actual piece if you like. Also talk about two or three artists you admire and why. This will get me a bit familiar with those of you whose work I don't yet know.

This will be your most productive semester to date, and the year you will begin to own your work like never before. Can't wait to witness and facilitate that!

-Bradley Wester, Visiting Artist Prof.